1-gil sanson
2-venezuela
3-caracas
4-sounds for rg
5-10:10
6-a number of sounds, before they turn to music.
7: no website

1-byron westbrook
2-usa
3-new york
4-untitled work in progress #1
5-11:50
6-a study done in preparation for my interval/habitat exhibition at human resources in los angeles, considering the methods and approach to space of a light/sound installation as a sound only piece. i was attempting to work with representation of a singular "sound event" in positioned in playback space vs representing or fabricating a space.
7-http://www.byronwestbrook.com

1-byron westbrook
2-usa
3-new york
4-untitled work in process #2
5-14:22
6-documents my process of generating tones from a yamaha dx7 synthesizer - something i have worked with for many years to prepare for performances. normally i improvise my way through the unwieldy data banks of numbers until i find a tone that i like, record it droning for many minutes (for the purpose of building a bank of sounds for performance), then record slight variations, and on and on, building a large bank of options to process live. this recording is a document of what happens if i use those techniques as an end product, without stopping to capture a drone/tone. recording is mono, realtime, with no cuts or edits.
7-http://www.byronwestbrook.com

1-victoria keddie
2-usa
3-new york
4-b frequency 1014
5-9:13
6-magnetic fields study 1014.  studio session with crumar organ, beat frequency oscillator, reel to reel, waveform synthesizer, slide pulser sp-1, bi directional microphone, telephone.
7-http://www.victoriakeddie.com

1-mv carbon
2-usa
3-new york
4-the fissures of the cracked shell
5-4:18
6-brooklyn. in a wooden room with high pitched ceilings. a keyboard amps the center of attention. two speakers blast it from the washroom. juno synth,
cello, tape, oscillators, voice, feedback, bass. this is how it went for days. soaked skylights, strings and circuits. roughed up tunes and messy haircuts.
7-http://www.mvcarbon.com