1-katherine liberovskaya
2-canada
3-montreal - new york
4-strays away
5-3:00
6-a sound collage piece created from a series of messages found on my answering machine during a period of several months: strange long messages full of interference in incomprehensible language(s) having somehow landed on my machine from another world or from a different communication channel that come together in this mashup mix.
7-http://www.liberovskaya.net (not updated in over 4 years(!))
1-jesse kudler
2-usa
3-philadelphia
4-dumb bus girls
5-7:02
6-phone recording from a bus ride either to or from new york on 6/11/11.
7-http://www.jessekudler.com
1-jesse kudler
2-usa
3-philadelphia
4-hzl-8-24-08
5-5:13
6-a snippet from an outdoor recording session of my group hzl, with tim albro. recorded at the historic grumblethorpe house, philadelphia, 8/24/08.
7-http://www.jessekudler.com
1-jesse kudler
2-usa
3-philadelphia
4-intro1
5-6:20
6-this is material prepared for a performance in philadelphia on 7/31/11. two channels of a multi-channel (jesse kudler talking live) piece.
7-http://www.jessekudler.com
1-jesse kudler
2-usa
3-philadelphia
4-outdoors
5-8:00
6-phone recording from unknown location on 6/11/11.
7-http://www.jessekudler.com
1-david schafer
2-usa
3-los angeles, ca
4-noir telos 2013
5-10:00
6-noir telos was created specifically for this invitation. when invited and read that it was for french radio, i thought of jean luc godard's film "alphaville" and the electronic voice of alpha 60 in addition to the science fiction atmosphere that permeates the film. since, mostly of what i do is either voice, or noise, i wanted to create a track that was musically spatial and somehow cinematic. this track was done in one take.
7-http://davidschafer.org / http://dsenoise.com
1-tristan shepherd
2-usa
3-new york
4-untitled (9-10-13)
5-4:32
6-the excerpt is clearing-house of improvised gestures recorded while composing a live multi-channel piece for turntables and laptop. it is at its best a sketch; at its worst a diary entry. or maybe it is the other way around? i have never been a big fan of drafts or sketches. when i'm working on a new piece that will be composed, i improvise for days, and now it's so easy to record yourself. in a way, i am interrogating my intuition. i always lose. the recording always sounds ugly and impatient. but listening back to yourself there's always a moment, intentional or not, where you find a new relationship between two gestures or sounds. you can turn that moment into a conceptual field, and then put that back into time as part of a piece of music, stretching it so to speak, letting it speak. then you have to figure out how to play it again. it's very ouroboros - the snake eating it's own tail.
7-no website
1-christopher delaurenti
2-usa - france
3-williamsburg, usa
4-fgtforrg
5-4:15
6-a test run experimenting with various effect chains.
7-http://delaurenti.net
1-bonnie jones
2-korea - usa
3-baltimore
4-the relics of things you might watch or listen to
5-7:12
6-my friend julia has the most incredibly detailed and fantastic dreams. as source material for a project, i had her record, for one week each day, everything she could remember each morning right after she woke up.
7-http://bonniejones.wordpress.com
1-wolfgang gil
2-venezuela
3-new york
4-untitled (for richard)
5-10:08
6-fragments of electroacoustic sounds from unreleased studio works.
7-http://www.wolfganggil.com