1-david velez
2-colombia
3-bogota
4-c8h10n4o2
5-9:24
6-processed captures from a phonography workshop i directed on rural areas of quindio, colombia on september of this year
7-http://www.davidvelezr.tumblr.com
1-jim haynes
2-usa
3-san francisco
4-fits & desertion
5-10:01
6-the source material to this amalgam was collected from the window of my old apartment in san francisco of my downstairs neighbors engaged in early morning sexual escapades. these recordings date back to 2006 or so, and i have attempted to work the material into composition from time to time, following the psychosexual collages of luc ferrari, robert ashley, and of course nurse with wound. my discomfort with the prurient nature of these recordings led me to a number of strategies to obfuscate, decay, and distress the material in ways that rendered the ecstatic gasps less than recognizable; but i've never been entirely satisfied with any of the results. hence, i'm leaving it the hands of richard garet to make the necessary corrections... or not.
7-http://www.helenscarsdale.com/haynes
1-doron sadja
2-usa
3-malmo, sweden - new york
4-pulsations iii
5-4:23
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1-doron sadja
2-usa
3-malmo, sweden - new york
4-pulsations vii
5-4:39
6-for a while now, i've been interested in creating percussive music with oscillating tempos. pulsations iii is one of my first tests, generated using a very simple reaktor sampler with 3 lfos modulating trigger tempo. in addition, 3 lfos are modulating how much of the signal is sent to either of 2 separate effect chains.
7-http://www.doron.sadja.com
1-melissa f. clarke
2-usa
3-new york
4-ice gouge
5-10:16
6-mostly live recorded material from performances with glass, contact mics, analog / digital effects, data sonification, and recordings of voice and sounds of the arctic.
7-http://www.mfclarke.com
1-gill arno (using material from a session recorded with jeffrey allport and rob pedersen)
2-italy
3-new york
4-three untitled excerpts from an untitled piece in progress - 001 1 1
5-2:28
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1-gill arno (using material from a session recorded with jeffrey allport and rob pedersen)
2-italy
3-new york
4-three untitled excerpts from an untitled piece in progress - 156 1 481
5-2:16
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1-gill arno (using material from a session recorded with jeffrey allport and rob pedersen)
2-italy
3-new york
4-three untitled excerpts from an untitled piece in progress - 227 1 23
5-4:40
6-we went out to improvise in an abandoned farmhouse and its surroundings, in the middle of the canadian prairie. for miles and miles all around us, yellow-green fields of canola monoculture. after more than a year, i am now reconstructing my own memories from those perfect days spent in the prairie. as i freely draw on multiple simultaneous recordings from the original session, subjectivity is foregrounded and a new narrative takes shape.
7-http://m-i-c-r-o.net/mpld
1-carver audain
2-trinidad and tobago
3-new york
4-silt/whisp
5-11:40
6-an immersive exploration of intersections and temporality.
7-http://www.carveraudain.com